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Sculptures
My sculptures for indoor and outdoor spaces
Putbus Palace
If you look closely at the palace park today, you can still see the faint outlines of the old foundations in the grass. Since the building was torn down in the early sixties, there’s been a void at the heart of Putbus. We wanted to bring that space back to life—not with bricks and mortar, but with nature.
The idea is simple: every spring, thousands of white and purple crocuses bloom exactly where the palace walls once stood. For a few short weeks, the history of the place becomes visible again. Walking through the rows of flowers gives you a real sense of how grand the halls and corridors used to be, all while keeping the park’s peaceful atmosphere intact.
Taking a leaf out of Husum’s book, we chose a permanent planting. The bulbs stay in the ground, so the "palace" reappears on its own year after year. It’s a chance to see the park in a different light—where the past briefly returns before fading back into the greenery for the rest of the year.
The idea is simple: every spring, thousands of white and purple crocuses bloom exactly where the palace walls once stood. For a few short weeks, the history of the place becomes visible again. Walking through the rows of flowers gives you a real sense of how grand the halls and corridors used to be, all while keeping the park’s peaceful atmosphere intact.
Taking a leaf out of Husum’s book, we chose a permanent planting. The bulbs stay in the ground, so the "palace" reappears on its own year after year. It’s a chance to see the park in a different light—where the past briefly returns before fading back into the greenery for the rest of the year.
Gemination
“Gemination” symbolizes a thought —
an idea reaching upward, immaterial in essence and yet expansive in presence.
Rods and rhythmically arranged circles form the structure. They guide, and they support one another. The framework is made of titanium-coated V4A stainless steel.
The sculpture is placed in a visible front garden. It does not obstruct the building; rather, it appears like a drawing suspended in space.
an idea reaching upward, immaterial in essence and yet expansive in presence.
Rods and rhythmically arranged circles form the structure. They guide, and they support one another. The framework is made of titanium-coated V4A stainless steel.
The sculpture is placed in a visible front garden. It does not obstruct the building; rather, it appears like a drawing suspended in space.
Inverse Wave
The sculpture “Inverse Wave” captivates with its gentle curves and intriguing hollow core, embodying both motion and stillness within its form.
The name Inverse Wave suggests a dynamic flow frozen in time, inviting the viewer to explore the interplay between solid and void. This piece encourages reflection on the natural rhythms and cycles that shape our world. With its balanced form and refined simplicity, it becomes a striking focal point in any setting.
Crafted from polished stone, the surface is meticulously smoothed to enhance its reflective qualities. The central opening creates a sense of depth, inviting light to play across the surfaces and enriching the viewer’s experience as they move around it.
“Inverse Wave” stands as a testament to the beauty of minimalism and the profound impact of subtle design.
The name Inverse Wave suggests a dynamic flow frozen in time, inviting the viewer to explore the interplay between solid and void. This piece encourages reflection on the natural rhythms and cycles that shape our world. With its balanced form and refined simplicity, it becomes a striking focal point in any setting.
Crafted from polished stone, the surface is meticulously smoothed to enhance its reflective qualities. The central opening creates a sense of depth, inviting light to play across the surfaces and enriching the viewer’s experience as they move around it.
“Inverse Wave” stands as a testament to the beauty of minimalism and the profound impact of subtle design.
Steel Drop
The sculpture “Steeldrop” enchants with its flowing form and gleaming surface, capturing the essence of movement and transformation.
The name Steeldrop evokes the image of a droplet frozen in time, filled with potential energy. This work invites the viewer to appreciate the beauty of simplicity and the elegance of nature’s forms. Its polished surface reflects the surroundings, creating a dynamic play of light and shadow that shifts throughout the day.
Crafted from stainless steel, the sculpture unites strength with grace. Its smooth, fluid lines convey a sense of motion, as if the droplet were about to continue its descent.
“Steeldrop” is a tribute to the harmony between industrial precision and organic inspiration, offering a timeless vision of nature’s delicate balance.
The name Steeldrop evokes the image of a droplet frozen in time, filled with potential energy. This work invites the viewer to appreciate the beauty of simplicity and the elegance of nature’s forms. Its polished surface reflects the surroundings, creating a dynamic play of light and shadow that shifts throughout the day.
Crafted from stainless steel, the sculpture unites strength with grace. Its smooth, fluid lines convey a sense of motion, as if the droplet were about to continue its descent.
“Steeldrop” is a tribute to the harmony between industrial precision and organic inspiration, offering a timeless vision of nature’s delicate balance.
A Being Shows the Way
In “A Being Shows the Way”, the interplay of strong lines and open spaces immediately captures the imagination and invites a deeper exploration of its complex design.
The work, titled Twin Tower, offers a gentle suggestion to orient oneself toward the direction of the pointing hand and allow the mind to wander freely. Its abstract forms and open voids encourage viewers to interpret the sculpture in their own way and to find meaning within its intricate structure. It stands as a testament to the balance between architectural precision and artistic expression.
Crafted from polished metal, the sculpture’s reflective surface interacts with light, creating shifting shadows and highlights that change with the viewer’s perspective. The combination of solid and void within the form emphasizes the harmony between presence and absence, offering a contemplative focal point for reflection.
The work, titled Twin Tower, offers a gentle suggestion to orient oneself toward the direction of the pointing hand and allow the mind to wander freely. Its abstract forms and open voids encourage viewers to interpret the sculpture in their own way and to find meaning within its intricate structure. It stands as a testament to the balance between architectural precision and artistic expression.
Crafted from polished metal, the sculpture’s reflective surface interacts with light, creating shifting shadows and highlights that change with the viewer’s perspective. The combination of solid and void within the form emphasizes the harmony between presence and absence, offering a contemplative focal point for reflection.
Stone–Plant Discus
The sculpture challenges our perception by reversing the familiar laws of gravity.
A perfect discus—composed of dolomite stone and meticulously trimmed yew plants—is visually held together at its center by a polished bronze disc. The impossible appears possible. Whether it is a minimalist garden or a sculpture remains deliberately open.
Nature needs only a few thoughtful interventions to become art.
A perfect discus—composed of dolomite stone and meticulously trimmed yew plants—is visually held together at its center by a polished bronze disc. The impossible appears possible. Whether it is a minimalist garden or a sculpture remains deliberately open.
Nature needs only a few thoughtful interventions to become art.
Stone Plant Cube
“Maximal Minimal” is the guiding concept behind this sculpture — a distilled essence of a garden.
The mineral world merges with the vegetal.
This piece emerged from a collaboration between a tree nursery and a stone quarry, both seeking to showcase their materials in dialogue.
It represents a condensed form of a minimalist garden. A spatial cut divides the cube into two halves: one side is rough-hewn dolomite, while the other is composed of sharply trimmed yew segments.
One version of this sculpture is installed in the park of the United World College in Dilijan, Armenia.
The mineral world merges with the vegetal.
This piece emerged from a collaboration between a tree nursery and a stone quarry, both seeking to showcase their materials in dialogue.
It represents a condensed form of a minimalist garden. A spatial cut divides the cube into two halves: one side is rough-hewn dolomite, while the other is composed of sharply trimmed yew segments.
One version of this sculpture is installed in the park of the United World College in Dilijan, Armenia.
Balanced Stones
The possibility of the stones collapsing creates an immediate tension that we cannot escape. We instinctively hope for balance, for a stable and reliable state, even though we know that the unpredictable and unexpected are fundamental parts of life.
This tension is the essence of the sculpture.
Flat stones are stacked and subtly fixed to one another, with no visible connections.
A version crafted in stainless steel is also conceivable.
This tension is the essence of the sculpture.
Flat stones are stacked and subtly fixed to one another, with no visible connections.
A version crafted in stainless steel is also conceivable.
Individual Designs
Selecting a sculpture from my portfolio is one way to develop a concept for your location. However, there is also the option of creating a completely individual, custom-designed sculpture.
The costs for this approach will be provided to you as an individual quote.
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